Cette nouvelle série d?Alec Soth tire son nom d?un poème de Wallace Stevens, «Gray Room». Après son exploration récente de la vie sociale américaine dans Songbook, il propose ici une série de portraits grand format en couleur. Toujours saisis dans des lieux clos mais partout dans le monde, il y explore la notion d?intimité de manière lyrique, avec une volonté de se mettre en retrait de l?agitation.
Between 2022 and 2024, Alec Soth visited twenty-five undergraduate art programmes across the United States. Advice for Young Artists comprises work he made there. Its title - perhaps like the visits themselves - is misleading: rather than wisdom or guidance, Soth offers an angular and unresolved reflection on artmaking at different stages of life and the relations of photography, time, and ageing. The photographs here range from formal studies evocative of the classroom to more unruly works of self-expression. Ambiguous stagings, found forms, and lyrical portraits are interspersed with gnomic quotes and unfinished credos scrawled on Post-its. Among the students, Soth himself appears at intervals, an uncertain sage in their midst.
Inspired by Walker Evans's late Polaroids, this latest body of work reveals a new expansion of Soth's practice and a new vantage, twenty years on from the publication of his first book. Recalling the conceit of Broken Manual, it uses an instructional format as a spurious cover for introspection and provocation. As much as a study of the experience of the young artist, this is a reckoning with the prospect of becoming an old one.
Following on from the bestselling box set Gathered Leaves, published to accompany Alec Soth's touring exhibition which opened in London in 2015, this unique publication brings together five of Soth's major books in their entirety in a single, compact, and densely detailed volume. Across more than 700 pages of newsprint, Soth updates and reimagines the original version of Gathered Leaves by reproducing every spread from these five books with detailed annotations in the form of notes, text extracts, and additional photographs. This new roadmap through Soth's oeuvre also includes a new introduction by the artist.
Soth's meteoric rise to international acclaim began with his first book, Sleeping by the Mississippi (2004), an elegiac road trip down the 'third coast' of the United States, which has since has sold through numerous print runs and is widely acknowledged as a classic. The success of his subsequent volumes Niagara (2006), Broken Manual (2010), and Songbook (2015) elaborated Soth's lyrical but unflinching approach and reinforced his position as a master of the book form. His most recent work, A Pound of Pictures (2022), brings a new, poetic perspective to the idiosyncrasies of American life and the practice of image-making, broached once again through Soth's now-distinctive road trip format.
Guest edited by the acclaimed photographer Alec Soth, Aperture's summer issue explores the dimensions and possibilities of dreams, journeys, and chance in photography.
"Sleepwalking" covers a surprising array of images and stories from the Soviet-era Czech artist Emila Medova to Sophie Calle's discovery of an abandoned Parisian hotel to Soth's own photographs from his travels in the United States. In this issue, Jesse Dorris interviews Duane Michals about luck and fate, Marina Warner explores the enduring resonance of the figure of the sleepwalker, and artists including Etienne Courtois, Maja Daniels, and Elliott Jerome Brown Jr. present surreal and imaginative new series. The Summer 2022 issue also introduces The PhotoBook Review, a new section for lively engagement with photobooks, featuring reviews of recent titles by Nona Faustine, Samuel Fosso, Oscar Monzon, and others.
