What were the real life stories and legacies of the six women who married Henry VIII? Discover these extraordinary queens through the court culture that recorded and shaped their often tempestuous lives: their letters, heraldic devices, books, love tokens and, of course, their portraits.
The women who married Henry VIII have come to be encapsulated in a six-word rhyme: ''Divorced, Beheaded, Died / Divorced, Beheaded, Survived''. But what were their real stories and legacies? Six Lives: A Portrait of Six Tudor Queens reveals the extraordinary lives, and afterlives, of Katherine of Aragon, Anne Boleyn, Jane Seymour, Anne of Cleves, Katherine Howard and Katherine Parr. A source of fascination to historians and writers down the centuries, each of the queens, and their relationship with the king, has been the subject extensive research and a source of creative inspiration. This publication focuses on the material traces of the queens and the court culture that shaped their lives, extensively illustrated with their letters, heraldic devices, books, love tokens and, of course, their portraits.
The book begins with an examination of the women as cultural phenomena, looking at the ways in which their lives have inspired storytellers, from Shakespeare''s Henry VIII to the musical Six, and the role that portraiture has played in the performance of the queens'' stories. An overview essay examines the queens'' self-presentation through portraiture before individual chapters consider each of their relationships with the king, their social and familial networks and their patronage. Each chapter is accompanied by a thematic piece written by an expert scholar, taking a closer look at an element of court culture, ranging from music and jewellery, to court pageantry and heraldry.
The publication accompanies an exhibition of the same name at the National Portrait Gallery in Summer 2024.
Situating the Tudor dynasty, their court, and the country, in an international context, this book will be highly illustrated and feature contemporary research in an accessible way. It will provide an overview of the ways in which the Tudors engaged with the world and were impacted by broader currents: the internationalism of court culture, religious shifts, trade, naval conflict and the expansion in the Americas. The introductory text will consider the legacies of the Tudors, as the monarchs who reigned during the tumultuous years of the Reformation and the emergence of the transatlantic slave trade and English colonialism.
Taking a thematic and biographical approach, the book will feature some of the most famous royal and court figures from the sixteenth century, from Henry VIII and Thomas Cromwell, to Elizabeth I and Walter Ralegh. The works shown will be explored from a multitude of perspectives, looking at the sitters' impact at home and abroad in Europe and the Americas. The international impact of the Tudors will be very evident the portraits featured, the artists of which came from Netherlands, Germany, France and Italy.
Artworks will be arranged by the key themes of: court culture, religion, queenship, conflict, empire, piracy and trade, and translation. Each theme will feature an opening text from a range of voices exploring the historical contexts of the works and new research on the topics. It will include biographical sketches of individuals whose role in Tudor history has often been overlooked, such as the trumpeter John Blanke.
The Collection of the National Portrait Gallery, London, is renowned for its portraits from the Tudor and Jacobean eras, many of which are on display at the Gallery or at Montacute House, our regional partner in Somerset. This book presents portraits of key individuals from this period, from the monarchs and members of the ruling elite to the writers, artists and artisans that characterised the literary and artistic flourishing of the sixteenth and seventeenth centuries.br />br /> An introductory essay provides important historical context, and the ninety works selected from the collections of the National Portrait Gallery and National Trust are accompanied by extended captions exploring the sitter and artist''s significance to the period and technical information about the portrait. The publication features sections on Tudor monarchs, the Stuarts, courtiers, the family in portraiture, and iconography.br />br />
