Conditions extrêmes, avec beaucoup de sentiment et peu de matériel. Ses images abolissent la frontière qui sépare les coulisses de la scène, le réel de l'imaginaire. Ce livre est un voyage dans l'intimité du Palais Garnier et de l'Opéra Bastille où architecture, salle, scène, artistes et spectateurs sont acteurs d'un même rêve.
A photographic meditation on the elasticity of pandemic time.
The latest body of work from American photographer Sandra Cattaneo Adorno (born 1954) offers a meditation on perception: how we experience time, memory, connection and the boundaries between reality and illusion. "Reflection, refractions and distortions abound, transforming the external world into a metaphor of the mind," Cattaneo Adorno explains. Inspired by the memory of brightly colored, overlapping metal plates on a printing press, known as scarti (scraps), Cattaneo Adorno revisited her archives and began layering images during the pandemic. Scarti di Tempo can mean either "time discrepancy" or "lag time," serving as a metaphor for how time--like waves of light or sound--can expand or contract. In much the same way, these photographs occasionally dissolve into abstraction while remaining tethered to reality. The book also contains a QR code that links to a score composed by the artist's husband, which provides an opportunity to experience the harmony of image and sound.
Sightwalk, Gueorgui Pinkhassov's first book, is far more than just a book of photographs. It is a beautiful object and an extraordinary piece of design in its own right: a modernist Japanese photo album created from Oriental fabrics and papers, and bound by hand. Within, the sense of innovation and artistry is communicated through the photographs that explore the complex ways in which singular details such as plays of light and reflections can capture a spirit and shape an atmosphere. In these images, settings sometimes no longer make clear spatial or thematic sense. Rather, just like the artist's accompanying poetic texts that bring them to life, the pictures become a play on our perceptions.
À l'invitation de la RATP, le photographe franco-russe Gueorgui Pinkhassov nous livre son intime perception de la mobilité urbaine, de Casablanca à Florence, en passant par Londres, Paris et Séoul.
Cadrages soignés, reflets et contre-jours, superpositions singulières, multiplicité des plans et des éléments qui les composent en font des images riches et complexes. Les figures humaines s'y détachent nettement découpées ou se fondent, tandis que des touches de couleurs fulgurantes éclatent dans des photographies à la tonalité majoritairement sombre. Gueorgui Pinkhassov nous laisse une véritable métaphore de la vie, de ses mouvements, de ses pulsations.
Les 60 photographies du livre ont été exposées de juin à septembre 2014 dans 16 grandes stations et gares de la RATP.
