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Dap Artbook
11 produits trouvés
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Agnès Varda: director's inspiration
Agnès Varda
- Dap Artbook
- Delmonico Books
- 28 Novembre 2023
- 9781636810607
A visual tribute to Agnès Varda's three lives as a photographer, filmmaker and artist, with previously unseen archival materials, texts and personal reflections from Jane Birkin, Martin Scorsese, JR and more.
French filmmaker Agnès Varda was a trailblazer who broke new artistic and cinematic ground for nearly seven decades. Although closely associated with the French New Wave, Varda established her groundbreaking visual style in her 1955 debut film La Pointe Courte, well before other milestones such as François Truffaut's The 400 Blows and Jean-Luc Godard's Breathless. Varda impacted cinema from her first feature film through her final works, with an expansive oeuvre that includes Cleo from 5 to 7 (1962), Vagabond (1985) and the Academy Award-nominated Faces Places (2017).
Agnès Varda: Director's Inspiration presents the first English-language visual showcase for Varda's inspirations, art and personal life, incorporating original materials from her personal archive on rue Daguerre. The book covers Varda's "three lives"?as photographer, filmmaker and visual artist?and features a previously unpublished interview Varda gave to the Academy of Motion Picture Arts and Sciences on the eve of receiving her Honorary Oscar in 2017. Essays by author Sasha Archibald and film critic Peter Debruge examine facets of Varda's creative lives, and personal reflections by friends and colleagues illustrate what it was like to collaborate with and be inspired by Varda.
Agnès Varda (1928-2019) was a French filmmaker, photographer and visual artist, sometimes called the grandmother of the French New Wave. In 2018, her film with the French photographer and muralist known as JR, Faces Places, received an Academy Award nomination for Best Documentary Feature, and that same year she received an honorary Academy Award for lifetime achievement. -
For nearly four decades, Spike Lee has made movies that demand our attention. His extensive filmography reflects an unflinching critique of race relations in the United States, from the Student Academy Award®-winning short Joe?s Bed-Stuy Barbershop: We Cut Heads and the ever-relevant Do the Right Thing to the more recent Oscar®-winning BlacKkKlansman and Da 5 Bloods. A lifelong cinephile and film scholar, Lee draws inspiration from other artists working across a range of eras, genres and global cinemas. He has also devoted much of his career to teaching the next generation of filmmakers.Spike Lee: Director's Inspiration presents Lee's personal collection of original film posters and objects, photographs, artworks and more-many of these inscribed to Lee personally by filmmakers, stars, athletes, activists, musicians and others who have inspired his work in specific ways.Straight from the walls of Lee's 40 Acres and a Mule production studio in Brooklyn, his faculty office at NYU and his Martha's Vineyard home, these objects offer a glimpse into what shapes Lee's signature filmmaking approach. Spike Lee: Director's Inspiration also includes a conversation between Lee and Shaka King (Judas and the Black Messiah), Lee?s list of 95 essential films and brief texts by some of the many artists Lee himself has inspired.Spike Lee (born 1957) is a director, writer, actor, producer, author and artistic director of the graduate film program at NYU's Tisch School of the Arts, where he has taught since 1993.
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The overlooked yet vibrant history of Black participation in American film, from the beginning of cinema through the civil rights movement.
From the dawn of the medium onward, Black filmmakers have helped define American cinema. Black performers, producers and directors--Bert Williams, Oscar Micheaux, Herb Jeffries, Lena Horne, Dorothy Dandridge, Ruby Dee and William Greaves, to name just a few--had a vast and resounding impact. Black film artists not only developed an enduring independent tradition but also transformed mainstream Hollywood, fueled and reflected sociopolitical movements, captured Black experience in all its robust complexity, and influenced generations to come. As harrowing as it is beautiful, this history of Black cinema and its legacy is often overlooked.
Regeneration accompanies a first-of-its-kind exhibition at the Academy Museum of Motion Pictures exploring seven decades of Black participation in American cinema. Amplifying this underrepresented history in colorful and striking detail, the book features an in-depth curatorial essay and scholarly case-study texts on topics such as early Black independent filmmaking, Black spectatorship during the Jim Crow era and home movies as an essential form of Black self-representation. The volume also makes meaningful connections to the present through interviews with award-winning contemporary Black filmmakers Charles Burnett, Julie Dash, Ava DuVernay, Barry Jenkins and Dawn Porter. An extensive filmography and chronology offer an essential resource for anyone interested in Black cinema, while images of contemporary visual artworks further illustrate the volume throughout. -
How film emerged in 19th-century Paris amid an array of social, political, artistic and technological innovations--with works by the Lumiere brothers, Mélies, Chéret and more City of Cinema traces film's evolution from an obscure entertainment to the most powerful art form of the 20th century. Placing cinema in the context of 19th-century Parisian visual culture, this book brings together posters, paintings, studio and documentary photography, and film stills that evoke Paris as a site of consumption, demonstrate early cinema's relationship with technology and the fine arts, and highlight local and global spaces of film production. It also examines the aspects of 19th-century visual culture that gave rise to cinema as a quintessentially modern medium with an eager audience. Aligning with French beliefs that the nation's culture would be democratized through consumption, cinema reinforced a set of assumptions about French cultural and political authority and disseminated these ideas to the rest of the world.
Presented here are images of and from the street by Jean Béraud, Charles Marville, Jules Chéret and Auguste and Louis Lumière; the technological experimentation of Loïe Fuller, Émile Reynaud and Georges Méliès; and the plein-air observations of Camille Pissarro and the staged artifice of Jean-Leon Gerome--all of which can be considered alongside the prototype film studios of Georges Méliès, Gaumont and Pathé.
At the dawn of the 20th century, cinema is as much, if not more, a way of appropriating the world. Through arresting images and incisive texts, this book examines the origins of cinema and its position as a global medium.
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Free to love the cinema of the sexual revolution
Collectif
- Dap Artbook
- 31 Décembre 2014
- 9780615934525
Free to Love looks at a selection of films from the 1960s and 70s, both commercial and experimental, to investigate how issues surrounding sexual liberation and the undoing of censorship laws manifested themselves in moving-image art from around the world. While the sexual revolution cannot simply be viewed as one unified movement, its conflicts and contradictions inspired some of the most important films from this period, asserting sexual power in an era when "power to the people" was the motto. The essays examine key works and individuals associated with the cinema of the sexual revolution (Radley Metzger, Pat Rocco, Phyllis and Eberhard Kronhausen), and the book includes a DVD of three short films: Desire Pie (Lisa Crafts, 1976), A Quickie (Dirk Kortz, 1970) and Norien Ten (John Knoop, 1972). Also included is a discussion with A.K. Burns, Barbara Hammer, M.M. Serra and A.L. Steiner.
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Color in motion : Chromatic explorations of cinema
Jessica Niebel
- Dap Artbook
- Delmonico Books
- 8 Octobre 2024
- 9781636811307
From early cinema to the digital era, Color in Motion explores the vibrant history of color on screen
The art of producing color in movies is a fascinating process with a long history. Many people don't realize that, as early as the 1890s, much of silent cinema was in color. They also may not know that women were the main workforce behind the techniques that first produced these effects, a tradition that continued as the practice evolved. Breakthroughs in color technology have created ongoing opportunities for filmmakers to experiment with new forms of narrative and emotional storytelling. Spectacular, psychological and sensory, color has become an integral part of the cinematic experience.
From the earliest hand-painted films to Technicolor and today's digital cinema, Color in Motion takes readers on a journey through the evolution and significance of color in film. Presenting insightful analysis, engaging case studies and inspiring conversations with scholars and experts in the field, with topics ranging from animation to the intersections of color and race in cinema, it traces the historical development of color technologies and their impact onscreen. Incorporating vivid images of color films throughout history--Serpentine Dance, The Cabinet of Dr. Caligari, Fantasia, The Red Shoes, Vertigo, West Side Story, 2001: A Space Odyssey, Moonlight and more, as well as new multispectral scans of rare silent-era film prints--this essential volume celebrates color's enduring influence on the medium of film.
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Cyberpunk : Envisioning possible futures through cinema
Doris Berger
- Dap Artbook
- Delmonico Books
- 8 Octobre 2024
- 9781636811314
A visual exploration of cyberpunk and its global impact and lasting influence on cinema culture
Cyberpunk, a subgenre of science fiction, first appeared in the early 1980s and uniquely captured the anxieties of the decade. Featuring near-future scenarios set in worlds that resemble our own, cyberpunk stories juxtapose technological advances with social upheaval, ecological crisis and urban decay. Central to these narratives are antihero characters who fight against corrupt political systems, technology gone haywire and global mega-corporations.
Cyberpunk: Envisioning Possible Futures through Cinema examines the global impact and lasting influence of cyberpunk on cinema culture. Through rarely published behind-the-scenes photographs, film stills and concept art, the book spotlights iconic cyberpunk films such as Blade Runner, Tron and The Matrix; foundational animated features like Akira and Ghost in the Shell; and more recent releases such as Sleep Dealer, Pumzi, Night Raiders and Neptune Frost. More than 20 case studies written by critics, historians and filmmakers offer new perspectives on these films and their legacies. The book also features an in-depth introduction by curator Doris Berger; an essay by communications scholar Carlen Lavigne that discusses the genre's 20th-century literary origins and the new, global directions it has taken in the 21st century; and an interview with filmmakers Danis Goulet and Wanuri Kahiu that reflects on the interplay among cyberpunk, Afrofuturism and Indigenous futurism.
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If Films Could Smell is at once an assemblage of interviews and writings by Roddy Bogawa (born 1962) from his nearly 30 years as a filmmaker and artist, and a time capsule of the independent film scene and art world of the 1990s as told through artifacts, diary entries, letters, emails, photographs, script notes and assorted bric-a-brac from Bogawa's archives. As with many of Bogawa's films, it's a collage that doesn't try to hide its seams, a jumble of ideas both realized and unrealized, an exploded diagram and a manifesto. The title conveys his interests in personal and cultural memory, and how these intersect with one's identity. Bogawa's work has been variously described as experimental, Asian American and independent cinema. This volume lays out these labels and dissects them, sometimes humorously. Straddling genres, If Films Could Smell is a document of possibility and provocation.
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Until his death in 2012 at age 100, legendary filmmaker Kaneto Shindo was a living link to more than 70 years of Japanese cinema history. Screenwriter of more than 200 films and director of more than 40, Shindo earned international praise for his masterpieces Children of Hiroshima and The Naked Island, and for the fantastical proto-horror film, Onibaba. In this volume, Shindo narrates his career, from his beginnings as an art director and fledgling screenwriter in the 1930s and 1940s, to his collaborations with such luminaries as Kenji Mizoguchi, Kon Ichikawa and Kinji Fukasaku, to his breakout into independent filmmaking in the 1950s and beyond. This first-ever English language book on Shindo's work is a stunning introduction to one of film's great overlooked masters. It includes the full screenplay of The Naked Island and a foreword by Benicio del Toro.
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The life and work of the Italian cinematic legend Gina Lollobrigida.
A symbol of Mediterranean beauty, the incarnation of the diva par excellence of Italian cinema, the witness of Italy's rebirth, but also the photojournalist, the sculptor, the painter: this was Gina Lollobrigida (1927-2023), best known for her roles in The Hunchback of Notre Dame (1956) and Carol Reed's Trapeze (1956), among others.
This volume presents the life of this great all-around artist through her extraordinary photographs; the affectionate accounts of Christian De Sica, Carlo Verdone, Gérard Depardieu and Alex Marshall; the critical texts of the curators and editors; and an essay by Fabio Melelli.
Lollobrigida possessed an uncommon artistic sensitivity and a great love of life?a vitality that she never lost, an unshakable determination?in addition to her all-consuming passion for art: all important elements in the shaping of her career.
Through photos and accounts, this book retraces the life of Lollobrigida and her human and artistic versatility as actor, photographer, sculptor and philanthropist: myriad facets of an amazing existence. -
A decade of installation works from the filmmaker famed for An Oversimplification of Her Beauty and Random Acts of Flyness.
This is the first publication on the genre-defying practice of American filmmaker Terence Nance (born 1982). Tracing his work in film, video, television, sound and performance from 2012 to 2022, the volume pays tribute to the community Nance cultivated in the heady days of early to mid 2000s Brooklyn. The role of community figures centrally in Nance's work, as evinced through his frequent collaborations with friends and family. Discarding the conventions of cinema, Nance opts for narrative forms that stretch the bounds of temporality and embrace Black spiritual and ancestral practices; he regards his work as part of an ongoing lineage of artists who labor to make visible these influences.
Swarm highlights the interdisciplinary nature of Nance's practice by focusing on his immersive environments?both old and new?many of which have been reconstructed from earlier films.Grand format 60.00 €Indisponible